The Marble Bath Building
The Marmorbad Next to the Orangery in the Karlsaue Park in Kassel

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The Marmorbad Marble Bath Building in Kassel
Narcissus and Cupid Kassel Germany Marble Bath House
Narcissus and Cupid

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Kassel Germany Landgrave Karl of Hesse-Kassel
Landgrave Karl of Hesse-Kassel surrounded by allegories of the virtues

This unusual building was built as a stately bathroom between 1722 and 1728 under the Landgrave Karl (1654 - 1730).  It was designed as a separate pavilion alongside the Orangery, the new palace built from 1702 by the Landgrave as a summer residence on the Fulda river floodplain. The MArble Bath House (das Marmorbad) is one of the finest surviving late Baroque specimens of royal ceremonial bathing.  The large central bathtub in the middle is surrounded by marble sculptures and bas-reliefs that narrate scenes from Ovid's Metamorphoses, including Daphne as she changes into a bay tree.  The bay trees in the Orangery are a reference to this tale and their presence was obligatory.   The Landgrave Karl recruited the Roman sculptor Pierre Etienne Monnot (1657 - 1733), one of the most celebrated sculptors of the late 17th century to execute the interior designs.  Monnot has created a striking fiend experience with his virtuoso marble sculpture and bas-reliefs. The sensuality of Monnot's figures which shimmer like velvet, is reinforced by their fine framing against wall panels made of different colored marbles and polished using a lavish technique for greater shine and depth.  Even today, upon interning this palatial bathhouse, visitors are transported to an enchanted ancient world.  Exploring this magnificent place of ceremonial bathing we are still captivated by scenes from Ovid's Metamorphoses.
The Marble Bath House Orangery Kassel GermanyHistorical Background

The marble bath was commissioned by Landgrave Karl of Hesse (Hessen)-Kassel (1654- 1730, Landgrave from 1677).  He also commissioned the Hercules, Kassel's famous landmark on the hill above the city with the cascading fountains below, which was erected from 1701 -- 1717.  The bathhouse stands next to the Orangery in a park called the Karlsaue.  This park was designed to line up with the Orangery which was built from 1702 -- 1711.  The pavilion for the Marble Bath was added later from 1722 to 1728.  Surviving plans from 1705 which pertain to the layout of the Karlsaue show that the original plans called for a large landscaped square on the park side of the Orangery, bordered by a total of ten pavilions, five on each side. This design was no doubt based upon the French king Louis XIV's pleasure gardens, Marly-le-Roi, which had six pavilions positioned on each side and in front of a central building.  In Kassel only one of the planned pavilions -- the one for the Marble Bath -- was built during the Landgrave's reign. Later (1765 -- 1770) a second pavilion was built on the opposite side, called the kitchen pavilion.  At about this time the park was transformed into a more relaxed English landscape garden but the basic underlying arrangement of the park with its avenues and watercourses was retained.  In World War II, the Orangery was destroyed and had to be rebuilt.  But the Marble Bath beside it only suffered slight damage.  After extensive restoration work, one of the most important collections of nonreligious Roman sculpture from the beginning of the 18th century was once again made available to the public.

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 Kassel Orangery Karlsaue Marble Bath House Interior
The tub is set in the floor under the central pavillion like structure.  The circular
 space around it is a "perambulatory" used for walking indoors in a circle.

The Landgrave was apparently continuing an existing tradition when he had the marble bath house built, because a functional bath house had earlier been erected by the Landgrave William IV some time after 1570, and stood in just about the same area as the current bath house, until it was torn down in 1650.  But when compared with this older bathhouse and other bathing arrangements of later Hessian Landgraves and Electors, the Marble Bath House is different in two important ways.  On the one hand, you cannot actually take a bath in the Marble Bath House. Yes, it has a tub, but there are no resting or changing rooms which are usually required in a bathhouse, and much more importantly, there is no way to heat the water.  Not that you could actually get the water to the top in the first place, since there are neither pipes nor drains.  In fact, the fixtures which do exist, the taps etc., are only imitations.

Great effort was made to complete the model bathhouse by the end of July 1729.  Because that was when George II, Electo of the German state of Hannover and King of Great Britain and Ireland was staying in Kassel.  This was probably the only time that Landgrave's Karl actually saw the bathhouse being used in the splendid court ceremonies because he died shortly thereafter.  The question remains whether there was any original intention of actually using the bathhouse for bathing.  There certainly could not have been any obstacles of a technical nature.  It could have easily been supplied with water for nearby was the cascading fountains of the hill called the Karlsberg.  From the point of view of hydraulic engineering these cascading fountains were the height of baroque fountain building science.

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Kassel Orangery Karlsaue Marble Bath House Bacchus
The little faun Ampelos reaches for a bunch of grapes held by Bacchus


The sculptor and interior architect of the marble bath house, Pierre Etienne Monnot, lived in Kassel from 1714 to 1729. In 1692 in Rome, long before the first contract for the marble bath house was signed, he had begun work on the series of statue groups which he was later to sell the Landgrave Karl.  In addition to these ten statue groups representing popular figures of Greek and Roman mythology, which were described in 1715 is having already been completed, four large wall reliefs were commissioned by the Landgrave which corresponded with the concept of a bathhouse from classical antiquity and which made reference to the surrounding park landscape and its watercourses. These large wall reliefs show episodes that involve water from the "Metamorphoses", a famous work of the ancient Roman poet Ovid. 

In 1714, he sculpted two busts of the Landgrave and his late wife.  And the first contract also included the cupola reliefs with portrayals of the four elements and the four seasons, as well as a portrait of Landgrave Karl being presented by allegorical figures which represent two virtues.  All of the wall reliefs were created in Monnot's workshop in Kassel where, in addition to other employees, a brother and a son of Monnot also worked.

Maria Amalie Kassel Marble Bath Orangery Wall Relief
The allegory of peace hovers above the portrait medallion of
Maria Amalie of Hesse-Kassel held up by the virtues.


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